I’ve written about a lot of different movies on this blog and what shocks me is that I’ve never written about my favorite movie – Singing in the Rain (1952).
I have to be honest that I am actually nervous to do so because there is so much about this movie that I love, I am truly afraid I will forget to mention something important about it or it’s making or I will mess up a fact.
When I was a kid, we didn’t have cable. We had one black and white TV and an antenna on the back porch that my dad would adjust to help us get four channels — an ABC affiliate, a CBS affiliate, an NBC affiliate, and PBS. Because we only had those four channels, I often found myself watching old movies on PBS. I was fascinated with them, the light and shadow, the framing, the cinematography, and the acting. It all mesmerized me.
The stories seemed richer, more fascinating, deeper somehow, than the shows I would see on primetime or the cartoons on Saturday morning. As I grew older, my options grew, but I still always found myself turning that cable TV back to the classics, usually the black and white movies or a musical. To me, the writers of those old movies knew how to tell stories, not just make a movie for show or for special effects. Those great stories tied in with my love of reading and are probably what made me want to go into journalism (which I did for 14 years) and then write fiction books (which I do just for fun now).
My favorite movie was Singing in the Rain and it’s remained so all these years. I used to dance around the living room saying, “And I can’t stand ‘im!” in Jean Hagen’s high-pitched voice, putting on a show for my family. I would dance around the room like I was on that street dancing in the rain in that iconic dance sequence with Gene Kelly.
I would recite good chunks of the movie whether it was on or not and my mom said I should go into drama. Luckily I was too shy to get into drama because I am pretty sure if I had gone into drama I would have mentally crashed and burned out fast. My introvert self is not cut out for the crazy world of acting.
It wasn’t until my late teens, when my brother bought me a VHS copy of the movie, that I learned the movie was actually shot in Technicolor. I’d always watched it on that old black-and-white TV and now here it was in blazing, beautiful color.
Magnificent.
Singing in the Rain has so much going for it — an amazing story tied into the history of talking films replacing silent films, great songs, great actors with great performances, and amazing dance routines (though I maintain that the 20-minute one with Cyd Charisse is just a bit too long and a bit too much — yet also brilliant.)
For those who don’t know what Singing in the Rain is about — for shame! FOR SHAME!
Oh, I mean, please, let me tell you what it is about.
The movie, which takes place in 1927, has a couple underlying storylines. One is a love story between Gene Kelly’s character Don Lockwood and Debbie Reynold’s character, Kathy Selden.
The other is a historical story about the end of silent films and the beginning of talking films.
That’s the simple description, but there is so much more going on underneath the surface of this comedy/musical.
We start the movie with silent screen swashbuckler star Don Lockwood and his movie partner Lina Lamont (Jean Hagen) attending a movie premiere. They are kind of like the Fred Astaire and Ginger Rogers of their time, only they are silent film stars of Victorian-era romance-adventures.
It is only Don and his friend Cosmo Brown (Donald O’Connor) — the musical accompaniest for the Lockwood and Lamont movies — who speak during the red carpet interview. It seems like the men are keeping Lina from speaking to the interviewer.
Don provides a sanitized version of how he and Cosmo got into show business and how he and Lamont met, with his words not matching up to what we see on our screen. He says that his motto in his career was to always conduct himself with dignity and what we see is him and Cosmo doing crazy vaudeville acts or working as stuntmen when they were first starting out.
We also see how Don and Lina first met and though Don tells the audience at the premiere they had an immediate connection, moviegoers see her sticking her nose up at him when he was a stuntman but changing her tune when the head of the studio announces Don is going to be their next big star.
We go a full 20 or 30 minutes into the movie before we find out why no one would let Lina speak during the red carpet interview. I hate to ruin this for anyone who has not seen the movie but…. I’m going to so you have been warned.
You ready?
Don’t read on if you don’t want to know……
Lina has a very annoying, high pitched voice and says things like, “Why didn’t I get to talk out there. What do you think I am? Dumb or sumthin’…”
The studio executives, Cosmo, and Don do indeed believe, and know, that Lina is dumb. They also know that she thinks she and Don are really couple, when Don wants her to know they are not.
“There’s nothing between us, Lina,” he tells her. “There never has been. Just air.”
After the premiere, Don and Cosmo are on their way to the after party when Cosmo’s car gets a flat tire. Don is spotted by a bunch of fans who swarm him and begin to demand autographs and souveniers, ripping off part of his tuxedo jacket.
He runs away, through traffic, and ends up jumping into a car being driven by a shocked young woman named Kathy Selden.
Kathy doesn’t recognized Don right away. Instead, she thinks she’s seen his photo on a Most Wanted poster at the post office and begins to scream. She stops and tells a police officer that this man just jumped into her car and the police officer says, “Why you’re Don Lockwood!”
Kathy becomes much more cordial then and asks Don if he’d like her to drop him off somewhere. He says he would like to get changed out of the tuxedo his fans ripped up and the conversation goes along smoothly until Don starts to flirt with Kathy.
She catches on to his schtick pretty fast and then pretends to be unimpressed with him. She’s an actor on the stage, which she claims is much more prestigious than acting on film.
She informs Don that all he is is a shadow up on the screen, not a real person. He just makes faces and doesn’t really speak, which is what she believes acting really is.
Don is, of course, quite offended by her mocking his professionn and when she pulls over to let him out, now safe from the screaming fans, he leans toward her and says she shouldn’t be afraid of him. What can he do to her, after all, he’s but a mere shadow.
I pause in this recap to comment on how brilliant the acting is by both of them in this scene.
I’ve provided a clip here because it’s just so good. The quality of the clip is not good, however. It is all I could find online:
We flash forward to Don at the party with all the other stars and a bunch of other famous people. At the party, the studio owner R.F. Simpson (Millard Mitchell) shows everyone in attendance an example of talking film. Everyone is surprised but doesn’t think that it will ever replace silent films, or if it does it will be years off. R.F. disagrees and later on, after another studio releases the first talking picture, R.F. says that their studio is going to film its first talking film and their biggest stars, Don and Lina, will be the stars.
A second later, when Lina speaks, though, their hearts sink.
Lina can’t speak in the movie. Not with that voice.
This is all very ironic, of course, because in real life, Jean Hagen has a lovely, sultry voice. Her real voice is actually used later in the movie where Kathy is supposedly dubbing Lina’s high voice with a more sultry one. Instead, that more sultry voice is Jean’s actual voice.
I’ve jumped ahead a bit, so let me go back: Cosos gets the brilliant idea for Kathy to dub Lina’s voice so Lina will sound like she looks in the talking movies.
What could go wrong, right?
Umm…wrong. Lina . . . well, you’ll have to watch to see why Lina isn’t a big Kathy Seldon fan and what she does about her lack of love for Kathy.
I can say that one reason Lina doesn’t like Kathy is because of what happened at that after party. After R.F.’s big announcement about talking films, a large cake is pushed into the room and suddenly out pops Kathy Selden, the “more refined” actress, who actually turns out to be a chorus girl.
Don enjoys mocking her over this which prompts her to attempt to throw a pie in his face, which instead hits Lina square in the face.
Kathy is mortified by her behavior and runs from the room with Don behind her. She manages to escape and drive off before he can find her, though, and he spends several weeks trying to track her down after Lina gets her fired from her job.
An article on TCM says many critics and fans call Singing in the Rain the greatest musical ever made and I’d have to say I am one of those fans who feels that way. There is just so much about this musical that is superior to all other musicals.
The songs are amazing, with well-written and witty lyrics.
The acting is amazing.
The dance sequences are amazing.
The comedy is spot on.
The masterful way the writers created characters mocking Hollywood films and actors all while making a Hollywood film with actors is brilliant.
It is also a visual spectacle.
There is so much talent shoved into this one movie that it almost creates sensory overload, but delightful sensory overload. Not the sensory overload that sends you running to a quiet room with your soft blanket and a white noise machine.
The most famous scene from the movie is, of course, Gene’s dancing in the rain in his hat and suit, with an umbrella.
I loved reading the following paragraph on TCM.com about the development and filming of the title song:
“While the film is chock full of musical highlights, Gene Kelly’s “Singin’ in the Rain” number is the genuine showstopper. Regarding his immortal solo number, Kelly later commented, quite graciously and modestly, on what made the scene work so well: “The concept was so simple I shied away from explaining it to the brass at the studio in case I couldn’t make it sound worth doing. The real work for this one was done by the technicians who had to pipe two city blocks on the backlot with overhead sprays, and the poor cameraman who had to shoot through all that water. All I had to do was dance.” The technicians’ efforts are all the more remarkable since there was a severe water shortage in Culver City, California, the day the sequence was shot.”
Here it is for your enjoyment (if WordPress lets the link work):
It is just about the best dance sequence I have ever seen in a movie but one can’t forget O’Connor singing and dancing (and participating in some serious slapstick/physical comedy) in “Make ‘Em Laugh” or Reynolds, Kelly, and O’Connor singing “Good Morning.”
This movie pokes fun at swashbuckling films and silent films and Kelly was all in, even though it poked some fun at him as an actor too.
The film was directed by Gene Kelly and Stanley Donan and Gene also choreographed mos of the dance sequences. Between all that and starring in the film, he must have been absolutely exhausted!
He’d started his career with the movie Cover Girl in 1944, revolutionizing the Hollywood musical with innovative and “free-flowing” dance routines.
After that movie, he earned an Oscar nomination for Anchors Aweigh (1945, with Frank Sinatra and Kathryn Grayson and a cute, little Dean Stockwell. I liked this one.)
It was On The Town from 1949 that really sent his career flying. That movie was the first of three collaborations with Donen.
Debbie Reynolds was only 19 when she first started filming as Kathy Seldon (though I’ve read interviews where she said she was 17 and watched an interview where she said she was 18) and you may have read that there was quite a bit of tension between her and Kelly during filming because Gene was a perfectionist. He was also 39-40 during filming and may have kissed her a bit more passionately than she was ready for, according to an interview she gave with The Pittsburgh Gazette, where she said he “stuck his tongue down my throat.” When she ran off crying, he was much more careful during future takes and kissed her more gently, she said, though he was a bit “pissed about it”.
Some say that Debbie called Gene abusive and she did refer to him in her 2013 memoir, Unsinkable, as a “cruel taskmaster”. Despite writing this, Debbie also remembered how his pushing her helped her to become a better actress later and how the movie shot her into stardom.
“He is a perfectionist and a disciplinarian – the most exciting director I’ve ever worked for,” she said. “And he has a good temper. Every so often he would yell at me and make me cry. But it took a lot of patience for him to work with someone who had never danced before. It’s amazing that I could keep up with him and Donald O’Connor.”
Years later Kelly expressed regret at how hard he pushed her and said he was truly shocked she still spoke to him after all he’d put her through. So clearly, they did still speak to each other even if she thought he was rough on her during filming.
The other day I was looking at the Facebook page of Gene’s last wife (he was married three times, with his final wife being 31 and him being 78 at the time of their marriage in 1990) and she had written about how Jean Hagen was hired for the film.
“Gene told me that the only dispute he had with Producer Arthur Freed and co-director Stanley Donen in casting Singin’ in the Rain was over the role of Lina Lamont,” she wrote. “Freed and Donen did not think that Jean Hagen was glamorous enough to play the part. As Gene said, “Stanley was very strong for a young lady from Fox, who was very pretty and a nice actress. She looked like a movie star, but she didn’t have enough depth to do the role. Arthur Freed had a couple of favorites that he wanted to put in. But they were both thinking of girls that look like movie stars. Beautiful, glamorous girls. Arthur even once mentioned Lana Turner, who just couldn’t have played the role that way.”
Patricia writes that the issue was neither of the men had ever seen Jean Hagen all dressed up and looking beautiful.
Kelly and Jean were friends and he thought she’d be wonderful in the role, according to Patricia.
“He did a test with her and the minute Freed and Done saw it, “they fell right in with it” and “when the first rushes came in on her, we were all mad about her.” Born Jean Shirley Verhagen in Chicago in 1923. She was nominated for an Oscar as Best Actress in a Supporting Role for Singin’ in the Rain but lost to Gloria Grahame in The Bad and the Beautiful. I have a feeling we can all agree with Gene that Jean Hagen was perfect for the role and, as he said, “she was the glue that held the picture together.”
I could go on and on about this movie and all the background of it, so I guess I’d better stop here and instead link you to a few articles or YouTube videos with more information. I will also leave you with some trivia and quotes from the movie.








Some trivia *wink*:
- Despite all of Debbie’s hard work on the “Good Morning” number, Kelly decided that someone should dub her tap sounds, so he went into a dubbing room to dub the sound of her feet as well as his own.
- It cost $2.5 million to make the movie, which was $665,000 over budget. The movie earned $7.7 million upon its initial release.
- Donald O’Connor invited his brother to help him rehearse the stunt of running up the wall in Make ‘Em Laugh with a rope. O’Connor was smoking four packs of cigarettes day back thn and went to bed for a week after completing the scene. Sadly, an accident deleted all of his hard work and he had to reshoot the entire scene again later.
- Cyd Charisse, who plays Gene Kelly’s dancing partner in the “Broadway Ballet” number, studied ballet in Los Angeles with Adolph Bolm and Bronislawa Nijinska. She danced with Ballets Russes under the name of Siderova. After World War II she was hired by Arthur Freed to be the resident ballet dancer at MGM.
- From TCM: “The comical bit that Donald O’Connor does in the “Make ’em Laugh” sequence, where he pushes and pulls on his face to make absurd faces, is known as “gurning.”
- Gene Kelly had a 103 degree fever when he shot the Singing in the Rain dance sequence.
- Debbie Reynolds’ voice was dubbed by Betty Royce for the scenes where Reynolds’ character dubs Lina Lamont’s singing and speaking voice. In addition, in the scene where Kathy Selden is dubbing Lina Lamont, Hagen is actually dubbing Reynolds dubbing Hagen on screen for just one line.
Some hilarious quotes from the movie:
Lina: Oh Donny! You couldn’t kiss me like that and not mean it just a teensy bit!
Don: Meet the greatest actor in the world! I’d rather kiss a tarantula.
Lina: You don’t mean that.
Don: I don’t— Hey Joe, get me a tarantula.
Lina: Gee, this wig weighs a ton! What dope’d wear a thing like this?
Roscoe: Everybody used to wear them, Lina.
Lina: Well, then everybody was a dope.
Cosmo: Talking pictures, that means I’m out of a job. At last I can start suffering and write that symphony.
Simpson: You’re not out of a job, we’re putting you in as head of our new music department.
Cosmo: Oh, thanks, R.F.! At last I can stop suffering and write that symphony.
Lina: Why, I make more money than – than – than Calvin Coolidge, put together!
Lina: “People”? I ain’t “people.” I am a – “a shimmering, glowing star in the cinema firmament.”
Lina: If we bring a little joy into your humdrum lives, it makes us feel as if our hard work ain’t been in vain for nothing.
[A dancer watching Lina Lamont in “The Royal Rascal”] Flapper: She’s so refined. I think I’ll kill myself.
Lockwood: What’s the matter with that girl? Can’t she take a gentle hint?
Cosmo: Well haven’t ya heard? She’s irresistible. She told me so herself.
Cosmo Brown: Lina. She can’t act, she can’t sing, she can’t dance. A triple threat.
Lina Lamont: What’s wrong with the way I talk? What’s the big idea? Am I dumb or something?
Lina Lamont: What’s wrong with the way I talk? What’s the big idea? Am I dumb or something?
Trailer:
Sources:
https://www.tcm.com/articles/afi-top-100/404767/singin-in-the-rain-1952
Donald O’Connor and Debbie Reynolds on Good Morning America talking about working together in 1986: https://youtu.be/hjHcGL_D5eY?si=eRyxk30EOANrg9wn
Patricia Ward Kelly talking about the dubbing in Singing in the Rain: https://youtu.be/pG6iCVFDlRc?si=Qs0KIU70_pmLKMdZ
Debbie Reynolds and Donald O’Connor talking about Singing in the Rain with TCM:
More trivia about Singing in the Rain:
https://www.tcm.com/articles/71662/trivia-singin-in-the-rain-1952




















































